TY - GEN
T1 - Drummistic Fingerprints
T2 - 33rd Irish Signals and Systems Conference, ISSC 2022
AU - Cunningham, Curtis
AU - Furey, Eoghan
AU - Blue, Juanita
N1 - Publisher Copyright:
© 2022 IEEE.
PY - 2022
Y1 - 2022
N2 - This paper investigates the subject of artist recognition in recorded performances, an area of Music Information Retrieval (MIR) called Performer Identification. Focusing on the drum set, it explores the ideas that skilled drummers possess unique 'drummistic fingerprints' that can be extracted using machine learning techniques, and used to identify them in previously unseen recordings, and if it is possible that transfer learning can be successfully executed between music styles based on this technique. Many performer identification studies exist for other melodic and harmonic instruments, but the area of drummer identification has to date not received much coverage. The artefact produced was able to produce a detailed comparative analysis of the contained performances (by drummer, music style, and limb), and utilise classification methods like K-Nearest Neighbours and GradientBoostedClassifier ensembles to make predictions on the identity of the drummers. This study determined that yes, such unique 'drummistic fingerprints' exist, can be extracted from performances and used to successfully identify drummers in unseen performance data much like other studies were able to identify other types of instrumentalists. Additionally, strong evidence was found indicating transfer learning is possible, but results appear variable depending on the individual performers.
AB - This paper investigates the subject of artist recognition in recorded performances, an area of Music Information Retrieval (MIR) called Performer Identification. Focusing on the drum set, it explores the ideas that skilled drummers possess unique 'drummistic fingerprints' that can be extracted using machine learning techniques, and used to identify them in previously unseen recordings, and if it is possible that transfer learning can be successfully executed between music styles based on this technique. Many performer identification studies exist for other melodic and harmonic instruments, but the area of drummer identification has to date not received much coverage. The artefact produced was able to produce a detailed comparative analysis of the contained performances (by drummer, music style, and limb), and utilise classification methods like K-Nearest Neighbours and GradientBoostedClassifier ensembles to make predictions on the identity of the drummers. This study determined that yes, such unique 'drummistic fingerprints' exist, can be extracted from performances and used to successfully identify drummers in unseen performance data much like other studies were able to identify other types of instrumentalists. Additionally, strong evidence was found indicating transfer learning is possible, but results appear variable depending on the individual performers.
KW - Artist Identification
KW - Data Analytics
KW - Drumming
KW - Machine Learning
KW - Music Information Retrieval
KW - Music Performance
UR - http://www.scopus.com/inward/record.url?scp=85135924650&partnerID=8YFLogxK
U2 - 10.1109/ISSC55427.2022.9826164
DO - 10.1109/ISSC55427.2022.9826164
M3 - Conference contribution
AN - SCOPUS:85135924650
T3 - 2022 33rd Irish Signals and Systems Conference, ISSC 2022
BT - 2022 33rd Irish Signals and Systems Conference, ISSC 2022
PB - Institute of Electrical and Electronics Engineers Inc.
Y2 - 9 June 2022 through 10 June 2022
ER -